Thanks! God, I'm so nervous about it. I want to do it right, do justice to ACD and Moffat/Gatiss and to John Green, and I also want to have it posted before S3 starts to air, and it's easily the most ambitious project I've ever attempted. And I don't know anyone who's a writer who's read PT and seen Sherlock who can talk to me about sources of narrative tension and how to make things that make sense for high school kids in Florida make sense for grown men in London.

If you want to read it as I write it, once November starts I'll be posting it under access-lock at otter_nanowrimo. If you're interested I'll add you to my access list :)